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You'll get our best offer within 24 Hours. Error I come from a classical background and my music is primarily for the orchestra with additional electronic elements when appropriate. When I compose, I have a full orchestra loaded into samplers. The cost of it really isn't an issue for me, because when I need to do the orchestral mock-ups I need to have the best sounding, most expressive orchestral instruments I can find.
The big issue I have had with orchestral sample libraries in the past has been the way they were recorded. Most of them were close mic'ed and not in a proper environment for an orchestra. No matter how much reverb you put on those recordings, they never sound good.
The sounds are inspiring to play because they sound so good. He most recently conducted the Los Angeles Philharmonic in a series of concerts where he performed music from classic films about Los Angeles.
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Call or Text Us We're always looking to improve Tell us what you love or what we need to fix. But that's the only negative — the 'surround' samples are superb, making the trumpet ensemble's mighty sustains and staccatos sound absolutely regal. Nick Phoenix did a great job sampling solo trumpet in Quantum Leap Brass, and he and his colleagues have come up trumps as it were here too.
The solo trumpet is the library's only brass instrument to play vibrato and non-vibrato sustains, both benefiting from high-quality note production.
The vibrato is subtle but telling, and though unlooped, the sustains are long enough for melodic purposes.
One unique preset provides staccatos with built-in alternating tongue attacks, giving the same advantages as the strings' up- and down-bows. Additional styles include a couple of the library's trademark 'expressive' volume swells, one subtle, the other histrionic! Dynamic and highly responsive, EWQLSO 's solo trumpet is among the most playable and expressive instruments in the library.
The programmers have gone to town with their French-horn presets. The biggest, incorporating five dynamic layers, is a great showpiece, demonstrating the ensembles' wide timbral range from soft and soothing to bright, bold and blaring. Other presets focus on a particular timbral area by employing fewer dynamic layers. The horns' tight, fat staccatos are also very responsive to dynamic nuances and make a great symphonic keyboard patch, while the portato performances sound unhurried, stately and rich.
Unlooped, hand-stopped long notes provide a marked tonal contrast, making a thin, metallic, attenuated section sound which evokes cinema's darker 'noir' side. The horn players let it all hang out with lusty octave rips and energetic 'shakes' short, tremulous elephantine brays. Only one complaint — the so-called 'slides' are not slides at all, but the same kind of baffling racket as the trumpets' 'slurs'. Clearly perceived by the makers as one of the jewels in their crown, the French horns are the most lavishly sampled by far of all the library's brass instruments, offering a grand total of 39 presets, and an impressive collection of big-sounding samples.
There's not a duff moment amongst the solo French horn samples, either; the sustains and staccatos are spot on, all the way up to the improbably high A5 top note. One can overlook the limited selection of playing styles — this is a fine French horn that can really carry a melody, a worthy companion for the library's solo trumpet. A trio of Wagner tubas, noble-sounding, horn-like instruments, contribute some stirring sustains and octave rips, but for some unfathomable reason their samples are all played in octaves.
Although this creates a very powerful and impressive brass sound, the built-in octave doubling of which this is the only instance in the entire library tends to muddy chord voicings, thereby reducing the instruments' flexibility.
The solo tuba the conventional instrument, rather than the higher-pitched Wagner contraption sounds big and almost mournful in the empty hall, but its deep, round warm tones are equally comfortable playing a low bass line or a lyrical melody. The sfz crescendos reveal the tuba's fiercer side, and though the selection of playing styles is modest, the player puts in a big-hearted performance and delivers some high-quality samples. EWQLSO 's brass has one more treat in store: a 'fake' brass ensemble made up of the four bass and tenor trombones, six French horns and four trumpets.
The horns tend to dominate, but the overall sound has an epic, gargantuan quality — film composers will be on to it in a flash. Two scaled-down packages, both fully upward-compatible with the Platinum Edition, are available at reduced prices. Both reduced editions can be imported into the Kontakt sampler v1.
This includes the vast majority of instruments and articulations from the Platinum Edition in bit stereo, but only has the output from the stage mics, plus release trails. The most basic version of the library omits Wagner tubas and some percussion instruments, includes only basic articulations, and features fewer samples per preset.
It's also only bit stereo, and features the recordings from just the stage mics, with no release trails. According to Doug Rogers, power-users who run the library on multiple computers generally find they can install the percussion on the same system as their audio sequencer. This volume contains both tuned and unpitched percussion, covering all the main orchestral bases. The concert hall acoustic adds a fair bit of wallop to EWQLSO 's timpani — if you're looking for a classic big orchestral sound, the stage mics produce impressively grand, powerful, clean-sounding hits, while the close mics add more definition if required.
The drums are mapped chromatically over the best part of two octaves, with the same samples duplicated in two separate keyboard zones so players can use both hands to play fast repeated notes.
Performances comprise single hits with hard and soft mallets, crescendo rolls in a choice of two and five-second lengths, and mp sustained rolls conveniently looped, with release triggers adding a very nice, subtle final hit on note-off. Moving to the other end of the frequency scale, the library has a very pretty glockenspiel. The close-miked incarnation of the instrument sounds pure and bright, but adding the 'surround' samples produces a halo of almost supernatural high-end energy.
Welcome back. Keith O. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. This eliminates the need for artificial reverb. Beyond the orchestra's phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound.A big, bountiful, powerful, expressive, sonically superior collection of top-quality orchestral sounds, recorded in a first-class concert hall, played, recorded and programmed by expert practitioners, waiting to burst into life in your compositions. Recorded by time Grammy nominated classical recording engineer Prof. Keith O. Autocad architecture 2017 download free full version selecting different mic positions, users can mix download east west symphonic orchestra free sounds together to create any kind of natural ambience their project requires. This eliminates the need for artificial reverb. Facebook Twitter. Beyond the orchestra's phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound. In the past, this meant adding reverb and effects, further digitizing and download east west symphonic orchestra free the overall quality of download east west symphonic orchestra free music. The software triggers this "release trail" at the end of every download east west symphonic orchestra free and adjusts the dynamics so that the samples blend seamlessly, truly placing the listener in the hall with the orchestra. For bit compatibility, please use PLAY 4. PLAY isn't just a sample playback system. I compose music for feature films. I come from a classical background and my music is primarily for the orchestra with additional electronic elements when appropriate. When Download east west symphonic orchestra free compose, I have download east west symphonic orchestra free full orchestra loaded into samplers. The cost of it really isn't an issue for me, because when I need to do the orchestral mock-ups I need to have the best sounding, most expressive orchestral instruments I can find. The big issue I have had with orchestral sample libraries in the past has been the way they were recorded. Most of them were close mic'ed and not in a proper environment for an orchestra. CATEGORY: Downloadable Products. Play Hollywood Orchestra - "Beautifully recorded" - Sound on Sound Web Page - Symphonic Orchestra. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is the most awarded orchestral collection ever, including winning Sound On Sound's. Only at Sweetwater! ✅ Instant Delivery for your EastWest Quantum Leap Symphonic Orchestra Platinum Complete Plus Edition (download)! Instant Savings: $ Was: $ Electronic Delivery. Free Tech Support · Free 2-year. The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA eclipses all others with the highest level of fidelity and or 4 interest-free payments of $ *We deliver your download within minutes when using a credit card or QuadPay. The free edition consists out of 3 downloads sized 1,5GB of compressed zip-files (there is a bit download for Windows as well). Their survey has one flaw, one. Symphonic Orch Silv EDU (Instant Download) EASTWEST/QUANTUM LEAP Symphonic Orchestra has already come out on top in a recent roundup of. Symphonic Orchestra Platinum Complete | Complete Symphonic Orchestra Download Size: ,83 GB Now with the incorporation of PLAY, users of the upgraded EASTWEST/QUANTUM LEAP Symphonic Orchestra will experience Free iLok account required at genericpills24h.com, internet connection required for product. eastwest hollywood strings vs symphonic orchestra, eastwest hollywood strings vst free download, eastwest hollywood strings diamond. Buy EastWest Symphony Orchestra Gold Complete - Virtual Instrument (Download) featuring Strings, Woodwinds, Brass, and Percussion, All Articulations. KVR Audio News: EastWest has announced that, in exchange for completing a short survey and signing up for the SoundsOnline newsletter. Once you do tell us, we will do everything we can to action it. About Us How to order Education. Your Name. Please complete the required fields. Please keep your order reference to hand. This eliminates the need for artificial reverb. I compose music for feature films. Just keep doing what you are doing. Make proficient and rich track ventures. Items that develop a fault within 30 days of delivery are eligible for a replacement or a refund. It's difficult to describe my enthusiasm about Gold in one sentence. It sounds amazing and seamlessly integrates with any bit or bit environment. Check the compatibility chart for supported hosts.